Criteria Against All Odds: Stefan Germer

Codi QR

Criteria Against All Odds: Stefan Germer

Dades bibliogràfiques
Publicat a:	Why Art criticism? : a reader ([2022])S. Seite 291-292
Autor principal:	Geimer, Peter (Autor)
Format:	Article
Idioma:	English
Publicat:	[2022]
Matèries:	Aufsatz
Publicació relacionada:	In: Why Art criticism? : a reader

Ítems similars

Kunst und Öffentlichkeit : Zum Gedenken an Stefan Germer
per: Zimmermann, Michael F.
Publicat: (1998)

Germeriana : Unveröffentlichte oder übersetzte Schriften von Stefan Germer zur zeitgenössischen und modernen Kunst
per: Germer, Stefan
Publicat: (1999)

Ortszentrum Germering
Publicat: (1994)

Art Cologne 1994 : Ein anderer Ort muß sich erst noch bilden ; Ingo Arend sprach mit Stefan Germer über die Grenzen des Marktes und die Grenzen der Kunst
per: Arend, Ingo, et al.
Publicat: (1995)

Against the Synthetic Portrait, for the Snapshot
per: Rodcenko, Aleksandr M.
Publicat: (2022)

How Do I Find My Way Out of This Labyrinth? On the Necessity and Impossibility of Criteria for Judging Contemporary Art
per: Germer, Stefan
Publicat: (2022)

Montage against all Odds : an Conversation
per: Majaca, Antonia, et al.
Publicat: (2016)

Against all odds : 20 drawings, Oct. 3, 1989
per: Haring, Keith

An urban forest against all odds : the city of Mendoza in western Argentina, nestled against the foothills of the Andes mountains, has a story of inherent and enduring resilience.
per: Martignoni, Jimena
Publicat: (2021)

Male Morals
per: Richter, Peter
Publicat: (2022)

Prolegomena to a Hedonistic Enlightenment
per: Gorsen, Peter
Publicat: (2022)

Ostzentrum Germering
per: Rumpf, Peter
Publicat: (1994)

@jeniifer-higgie
per: Higgie, Jennifer
Publicat: (2022)

Reviews from 4Columns
per: D'Souza, Aruna
Publicat: (2022)

In a Hypermediatized World. Visions of Cultural Journalism
per: Nyamor, Enos
Publicat: (2022)

Palace in Plunderland: Claire Bishop on the Shed
per: Bishop, Claire
Publicat: (2022)

Staying With the Sirens. on the Resilience of the Past
per: Singh, Adwait
Publicat: (2022)

Through My Reading Glasses
per: Laureate, Reader
Publicat: (2022)

Troll: Anonymous
per: Rasch, Miriam
Publicat: (2022)

Nearly Unbiased: Patrick Mudekereza
per: Grosse, Julia
Publicat: (2022)

This Excess Called Lassen: What Is it That Art History Cannot Write?
per: Kashima, Takashi
Publicat: (2022)

The Beggar's Pantomine: Performance and its Approriations
per: Gilligan, Melanie
Publicat: (2022)

The Cultural Logic of Financialization: Melanie Gilligan
per: Kuhn, Holger
Publicat: (2022)

Found in Translation: Exile as a Productive Experience in the Work of Iranian Artists
per: Darabi, Helia
Publicat: (2022)

What World Does this Prince Want to Rule?
per: Voss, Julia
Publicat: (2022)

Toward a Dilemmatic Archive: Historicizing Contemporar Art in Armenia
per: Azatyan, Vardan
Publicat: (2022)

From Excavation to Dispersion : Configurations of Installation Art in Post-War Lebanon
per: Sadek, Walid
Publicat: (2022)

Greetings from the Provinces
per: Zabel, Igor
Publicat: (2022)

A Drifting Mind : Lynne Tillman
per: Mehl, Isabel
Publicat: (2022)

Loving the Alien in Advance of the Landing
per: Sinker, Mark
Publicat: (2022)

A New Turnatround : an Interview
per: Dubrovic, Ervin, et al.
Publicat: (2022)

Architecture and Environmental Designs
per: Bennett, Bob
Publicat: (2022)

Negative Capability as Practice in Womens's Art
per: Sauzeau, Anne-Marie
Publicat: (2022)

On the Invention of Photographic Meaning
per: Sekula, Allan
Publicat: (2022)

Documentation as Dialogue: Allan Sekula
per: Zimmermann, Michael F.
Publicat: (2022)

Two Decades of Vulnerability in Latin American Visual Arts 1950/1970
per: Traba, Marta
Publicat: (2022)

Network: The Art World Described as a System
per: Alloway, Lawrence
Publicat: (2022)

The Artistic and Literary Life : Reviews from La Revue du Liban et de l'Orient Arabe
per: Hakim, Victor
Publicat: (2022)

I Committed a Happening
per: Masotta, Oscar
Publicat: (2022)

Fragments on Art Criticism
per: Lang, Lothar
Publicat: (2022)