Why be Normal? :: Bibliothekskatalog abk

Sonraí bibleagrafaíochta
Foilsithe in:	Art in America 110(2022)7 = October, S. Seite 76-83 : Illustrationen
Príomhchruthaitheoir:	Hamraie, Aimi (Údar)
Formáid:	Alt
Teanga:	English
Foilsithe / Cruthaithe:	2022
Ábhair:	Aufsatz
Le fáil in:	In: Art in America

Our is Work Working : how art became a primary tool of the movement for disability justice.
de réir: Watlington, Emily
Foilsithe / Cruthaithe: (2022)

Living with, dying from : how does art communicate the experience of an epidemic to those who are and are not afflicted with the disease?
de réir: Droitcour, Brian
Foilsithe / Cruthaithe: (2021)

the "Malady" of Impressionism : a full account of the Impressionist movement must reckon with the role of disability and impairment in shaping both the art and its reception.
de réir: Guffey, Elizabeth
Foilsithe / Cruthaithe: (2022)

Living as Art : a new retrospective shows how Hannah Wilke made bodily experience the center of her work, from sexual pleasure to ilness and death.
de réir: Boyer, Anne
Foilsithe / Cruthaithe: (2021)

"Ceramics in the Expanded Field" at Mass MoCA, North Adams, Massachusetts
de réir: Koplos, Janet
Foilsithe / Cruthaithe: (2022)

A History of Presence : the aesthetics of virtual reality, and its promise of "magical" embodied experience, can be found in older experiments with immersive media
de réir: Belisle, Brooke
Foilsithe / Cruthaithe: (2021)

Bottled Lightning : the Lightning Field in New Mexico communes with Cormac McCarthy, Herman Melvielle, and the confidence men of Web3.
de réir: Carney, Sean J Patrick
Foilsithe / Cruthaithe: (2022)

Seeing believing : four painters grapple with the impact of Christian imagery on their practice today.
de réir: Watlington, Emily, et al.
Foilsithe / Cruthaithe: (2022)

Carly Mandel : a New York-based sculptor blows up self-care
de réir: Watlington, Emily
Foilsithe / Cruthaithe: (2021)

"Hear Me Now" at Metropolitan Museum of Art, New York
de réir: Rinehart, Nicholas T
Foilsithe / Cruthaithe: (2022)

Manuel Mathieu : the Haitian-born painter's haunting works take up the history of his homeland.
de réir: Garel, Connor
Foilsithe / Cruthaithe: (2021)

What is Sculpture? : four curators consider how sculpture's elusive definition brushes against the fluid practices of today's artists.
de réir: Lemmey, Karen, et al.
Foilsithe / Cruthaithe: (2022)

Drawing Support : Do Ho Suh's latest project extends his decades-long interest in the visual language of memorialization.
de réir: Dayal, Mira
Foilsithe / Cruthaithe: (2022)

The Privacy to heal : why Simone Leigh pivoted from creating enigmatic clinics for Black women to sculpting commanding figures honoring African craft.
de réir: Johnson, Cyrée Jarelle
Foilsithe / Cruthaithe: (2021)

History's Painter : in a long-awaited monograph, art historian Benjamin H.D. Buchloh reckons with the work of Gerhard Richter.
de réir: Spaulding, Daniel
Foilsithe / Cruthaithe: (2022)

The Artist as Publisher : Adam Pendleton's recent book projects suggest that his multidisciplinary practice is also a kind of anthology.
de réir: Ives, Lucy
Foilsithe / Cruthaithe: (2021)

From the Ground up : contemporary Diné artists enlist Native feminisms in a fight for environmental justice.
de réir: Hawley, Elizabeth S.
Foilsithe / Cruthaithe: (2022)

Practicing Ascension. four works illuminate how artists incorporate African and Afro-Caribbean forms of reverence into art and performance.
de réir: Uszerowicz, Monica
Foilsithe / Cruthaithe: (2022)

Word Processing : lthe Surrealist practice of automatic writing finds a troubling analogue in a new wave of sophisticated Al text generators.
de réir: Horning, Rob
Foilsithe / Cruthaithe: (2022)

the healing Museum : in the wake of the Covid-19 pandemic, art institutions are presenting themselves as sites of thearpy - a trend that builds on a decades-long history.
de réir: Davidow, Jackson
Foilsithe / Cruthaithe: (2021)

Am I Blue? : Oakland's Woody De Othello offers an up-to-date melding of Funk Art and the blues as ceramic sculpture.
de réir: Adamson, Glenn
Foilsithe / Cruthaithe: (2021)

Unstill Life : Liz Larner's mature work evinces the same embrace of play and chance as her early experiments with bacteria.
de réir: Russeth, Andrew
Foilsithe / Cruthaithe: (2022)

City Beautiful : for these activist groups in Atlanta, the value of art lies in the way it improves the lives of all the local citizens.
de réir: Hamm, Connor
Foilsithe / Cruthaithe: (2021)

Broken Links : the Internet Show : Museums keep taking up the relationship between art and the internet as a theme for group exhibitions, while neglecting to examine it with historical rigor
de réir: Droitcour, Brian
Foilsithe / Cruthaithe: (2018)

The Blockbuster Avangarde : the immersive experiences of teamLab fuse technology and emotion, thrill audiences, and break the gallery business model. Do they even need the art worlr?
de réir: Haigney, Sophie
Foilsithe / Cruthaithe: (2021)

Not home right now : from the arch irony of her early work to the wisdom of her latest album, Laurie Anderson uses sound to create landscapes of displacement, change, and loss.
de réir: Daniel, Drew
Foilsithe / Cruthaithe: (2021)

Death in Black and White : Robert Morris's startling new reliefs and drawings now exploit traditional ar-historical forms and conventional literary contexts to frame a problematical vision of apocalypse
de réir: Marmer, Nancy
Foilsithe / Cruthaithe: (1983)

Re-Creating Sturtevant : Critically neglected for a decade, Sturtevant reemerged in the 1980s as the mother of appropriation art - and as a veteran painter with a surprising penchant for making wry and lively videos
de réir: Heartney, Eleanor
Foilsithe / Cruthaithe: (2014)

Die Politiken der Barrierefreiheit
de réir: Hamraie, Aimi
Foilsithe / Cruthaithe: (2023)

Why Ecological Urbanism? Why Now?
de réir: Mostafavi, Mohsen
Foilsithe / Cruthaithe: (2010)

Carrie Moyer and Sheila Pepe at Museum of Arts and Design, New York
de réir: Davidow, Jackson
Foilsithe / Cruthaithe: (2022)

Sculpture to dwell on : playfully disregarding stale distinctions between art and design, Jessi Reaves crafts scultpures that imbue familiar furniture pieces with sensual richness and emotional complexity
de réir: Adamson, Glenn
Foilsithe / Cruthaithe: (2018)

Picturing the Holy Land : Artists address the friction between religious visions and earthbound realities of an embattled landscape.
de réir: Haines, Chelsea
Foilsithe / Cruthaithe: (2022)

Building Mormonism : how the Church of Jesus Christ of Latterday Saints is updating their retro-futurist temples in response to a changing culture.
de réir: Allen, Greg
Foilsithe / Cruthaithe: (2022)

From Gravel Pits to Sculpture Parks : the pioneering Land Reclamation as Sculpture initiative in 1970s Seattle introduced an ecocritical dimension to Land art.
de réir: Swenson, Kirsten
Foilsithe / Cruthaithe: (2022)

Borderland : Domesticity and defiance commingle in imagesfrom spanishspeaking migrant communities.
de réir: Fellah, Nadiah Rivera
Foilsithe / Cruthaithe: (2022)

On Opacity : many artists today resist "representation" and corss-cultural legibility. But the task poses countless challenges.
de réir: Wu, Simon
Foilsithe / Cruthaithe: (2022)

Lambasting Reality : how the legacies of Negritude and Surrealism influence today's Black experimental filmmakers.
de réir: Price, Yasmina
Foilsithe / Cruthaithe: (2022)

the Asphalt Avant-Garde : a road trip leads to seeing the US highway system as the country's most pectacular postwar work of art
de réir: Arn, Jackson
Foilsithe / Cruthaithe: (2022)

Reaching beyond the Human : Tuomas A. Laitinen tests the limits and language of non-anthropocentric art-making.
de réir: Bury, Louis
Foilsithe / Cruthaithe: (2022)

Why be Normal? : the lived experience of disability always involves practicing design. This long-overlooked expertise is now shaking up the field.

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