Production Protocols : Mark Prince suggests that fears concerning the potential for manipulation in digital imagery may be misplaces, arguing instead that digitalisation merely adds another dimension to debates about the gap between intention and processes involved in the production of all art.
| Veröffentlicht in: | Art Monthly (2024)477, S. Seite 6-11 : Illustrationen |
|---|---|
| VerfasserIn: | |
| Format: | Aufsatz in Zeitschrift |
| Sprache: | English |
| Veröffentlicht: |
2024
|
| Schlagworte: | |
| Ähnliche Datensätze: | In:
Art Monthly |
| LEADER | 00752naa a22001811c 4500 | ||
|---|---|---|---|
| 001 | v0072107 | ||
| 008 | 240625s2024 gw eng d | ||
| 005 | 20250306233420.0 | ||
| 041 | |a eng | ||
| 090 | |a MAG ZS Art 12 2024 | ||
| 100 | 1 | |a Prince, Mark |4 aut | |
| 245 | 1 | 0 | |a Production Protocols |b Mark Prince suggests that fears concerning the potential for manipulation in digital imagery may be misplaces, arguing instead that digitalisation merely adds another dimension to debates about the gap between intention and processes involved in the production of all art. |
| 264 | 1 | |c 2024 | |
| 773 | 0 | 8 | |i In |t Art Monthly |w z00183 |g (2024)477, S. Seite 6-11 : Illustrationen |
| 500 | |a MAG ZS Art 12 2024 | ||
| 591 | 0 | |a MAG ZS Art 12 2024 | |
| 655 | 4 | |a Aufsatz | |
| 099 | 1 | |a 20240625 | |