October : Art, Theory, Criticism, Politics

Bibliographische Detailangaben
Format:	Zeitschrift
Sprache:	German
Veröffentlicht:	Cambridge/Mass. : MIT Press
Aufsatz in Zeitschrift/Bände/Inhalte:	832 Datensätze
Online Zugang:	https://www.mitpressjournals.org.0053deb40287.emedia1.bsb-muenchen.de/loi/octo https://direct.mit.edu/octo

1. Reanimation (1)

2. Digital Diploma Mills, Part 1 : The Automation of Higher Education

3. Selections from New Stories, Notebooks 1-18, The Uncanniness of Time

4. Nam June Paik's Etude 1 and the Indeterminate Origins of Digital Media Art

5. Eisenstein at 100 : Recent Reception and Coming Attraction

6. From The Neutral: Session of March 11, 1978

7. 15 Responses to a Questionnaire on Occupy Wall Street

8. Staging Soviet Art : 15 Years of Artists of the Russian Soviet Republic, 1932-33

9. A Note on Gerhard Richter's October 18, 1977

10. Abstraction, 1910-1925 : Eight Statetments

11. Selected Criticism, 1915-1929

12. Photogenic Neurasthenia : On Mass and Medium in the 1920s

13. Artificial Hells. Inauguration of the "1921 Dada season"

14. Annette Michelson, 1922-2018

15. In Memory of Robert Rauschenberg (1925-2008)

16. Inscription and Castration in Picasso's The Painter and His Model, 1927

17. Russian Diary, 1927-1928

18. An Introduction to Jere Abbott's Russian Diary, 1927-1928

19. In Memoriam : Hubert Damisch (1928-2017)

20. Film Energy : Process and Metanarrative in Dziga Vertov's "The Eleventh Year" 1928

21. Stan Brakhage (1933-2003)

22. The Music of His Music : Edward Said, 1936-2003

23. The Dialectics of Design and Destruction : The Degenerate Art Exhibition (1937) and the Exhibition internationale du Surréalisme (1938)

24. Duchamp's Labyrinth: First Papers of Surrealism, 1942

25. The Cinecitta Refugee Camp (1944-1950)

26. Television Art's Abstract Starts : Europe circa 1944-1969

27. Remembrances of a 1946 Reader

28. Art and Anthropology: The Crossroads : an Introduction to the Notebook of Maya Deren, 1947

29. "A Horror of Abstract Thought" : Postwar Britain and Hamilton's 1951 'Growth and Form' Exhibition

30. Remembering Allan Sekula (1951-2013)

31. The Chaplin Files, 1952

32. "A Weapon to Change Modern Reality" : Action and Agitation in On Kawara's Thanatophanies, 1955-1956

33. From the Aesthetics of Indifference to Negative Aesthetics : John Cage and Germany 1958-1972

34. Painting as Diagram : Five Notes on Frank Stella's Early Paintings, 1958-1959

35. Visual Pleasure in 1959

36. Reassessing the Personal Registers and Anti-Illusionist Imperatives of the New Formal Film of the 1960s and '70s

37. From Abstraction to Model : George Brecht's Events and the Conceptual Turn in Art of the 1960s

38. Place : A Constructed Abstract Situation in the Urban Cultural Continuum of the 1960s

39. Writings and Correspondence : 1961-1985 ; Hubert Damisch And Jean Dubuffet

40. 1962

41. Okwui Enwezor (1963-2019)

42. Massage, c. 1966

43. Idées vagues /images claires : Image, Pedagogy, and Politics in the Films of Jean-Luc Godard, 1966-1969

44. On Failing to perform : Kunst und Revolution, Vienna 1968

45. Citizen Brus Examines His Body : Actionism and Activism in Vienna, 1968

46. Another Geometry : Gego's Reticulárea, 1969-1982

47. The Turn of the Screw : Daniel Buren, Dan Flavin and the Sixth Guggenheim International Exhibition (1971)

48. Letters, 1972-1973 : Hubert Damisch And Meyer Schapiro

49. Structures of Feeling : Yvonne Rainer circa 1974

50. Los Angeles Photographs 1976-78

51. Skulptur Projekt in Münster : Excerpts from Correspondence 1976-1997

52. Folds in the fabric : Robert Morris in the 1980s

53. Remembering Michael Asher at the Art Institute of Chicago, 1982

54. Spoils of the Sign : Group Material's Americana, 1985

55. Three Conversations in 1985 : Claes Oldenburg, Andy Warhol, Robert Morris

56. Und ihr habt doch gesiegt, 1988

57. Ed Ruscha : Blue Collar Drawings, 1992

58. Visual Culture Questionnaire : [This questionnaire was sent to a range of art and architecture historians, film theorists, literary critics, and artists in the winter of 1996. The...

59. Digital Diploma Mills, Part 2 : The Coming Battle over Online Instruction

60. Artists Qestionnaire : 21 Responses

61. Protocols of the Exhibition Points of Reference 38/88

62. Hans Haacke's Contribution to Points of Reference 38/88

63. Sleazy City : 42nd Street Structures and some Qualities of Life

64. "The Secrets of the Darkened Chamber" : Michael Schmidt's Berlin nach 45

65. A Questionnaire on Monuments : 49 Responses

66. Documenta 7 : A Dictionary of Received Ideas

67. Trace-Image to Fiction-Image : the Unfolding of Theories of Photography from the '80s to the Present

68. Like the difference between autumn/winter '94/'95 and spring/summer '95

69. The Sound of Music : A Conversation with Michael Snow

70. Diary of a Buren Spectator

71. Guy Debord, or The Revolutionary Without a Halo

72. Terres Inconnues : Cartographies of a Landscape to Be Invented

73. "Painting as a Language. Why Not?" Carl Einstein in Documents

74. Totality Against a Subject : Carl Einstein's Negerplastik

75. Filming Israel : A Conversation

76. Eva Hesse Retrospective : A Note to Milieu

77. Digital Cinema : A False Revolution

78. A World Embodied in the Dancing Line

79. "A Duplication Containing Duplications" : Robert Rauschenberg's Split Screens

80. Friends of the Future : A Conversation with Peter Smithson

81. Roundtable : The Social Artwork ; A Discussion

82. Moving Still : Mediating ; Yvonne Rainer's Trio A

83. Portrait of the Artist as a Monkey-Hand

84. Sartre and the Jews : A Felicitous Misunderstanding

85. Reflections on the Jewish Question, A Lecture

86. A Lecture by Jean-Paul Sartre

87. A Conversation with Hubert Damisch

88. A Mnemonic Art? Calotype Aesthetics at Princeton

89. A Reply to Heath

90. To Be Continued : A Note on Some Recent Mondrians

91. A New History of the Passions

92. A Conversation with OCTOBER

93. Documentary Is/Not a Name

94. The Kinetic Icon in the Work of Mourning : Prolegomena to the Analysis of a Textual System

95. A Balancing Act

96. Reflections of a Progressive Composer on a Damaged Society

97. Gnosis and Iconoclasm : A Case Study of Cinephilia

98. A Conversation with Leo Bersani

99. Counter-Music : Harun Farocki's Theory of a New Image Type

100. Portraiture and the Ethics of Alterity : Giacometti vis-à-vis Levinas

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October : Art, Theory, Criticism, Politics

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