The Journal of Aesthetics and Art Criticism

Bibliographische Detailangaben
Format:	Zeitschrift
Sprache:	German
Veröffentlicht:	Milwaukee : The American Society for Aesthetics at the Univ. of Wisconsin-Madison and Marquette Univ.
Schlagworte:	Zeitschrift
Aufsatz in Zeitschrift/Bände/Inhalte:	384 Datensätze

1. Jokes are a laughing matter

2. Comparative Semantic Approaches to the Idea of a Literary Canon

3. A Tribute to Nelson Goodman

4. How to Forge a Musical Work

5. Stecker's Dilemma: A Constructive Response

6. Regarding Film Spectatorship : a Repley to Richard Allen

7. Film Spectatorship : a Reply to Murray Smith

8. Interpretive Relevance, Contradiction, and Compatibility with the Text : a Rejoinder tk Knight

9. Not a Actual Demonstration : a Reply to Iseminger

10. Musical Meaning in a Broader Perspective

11. The Problem of Reference on Musical Quotation : A Thenomenological Approach

12. The Pigeon within Us All : A Reply to Three Critics

13. Sparshott, Francis. A Measured Pace: Toward a Philosophical Understanding of Dance : Reviewed by Curtis L. Carter

14. Thiel, Philip. People, Paths, and Purposes: Notations for a Participatory Envirotecture : Reviewed by Rudolf Arnheim

15. Why We Enjoy Condemning Sentimentality: A Meta-Aesthetic Perspective

16. Musical Recordings and Performances : A Response to Theodore Gracyk

17. Dependent Beauty Revisited : A Reply to Wicks

18. Somaesthetics : A Disciplinary Proposal

19. A Paramount Narrative : Exploring Space on the Starship Enterprise

20. Can Music Convey Semantic Content? : a Kantian Approach

21. A New Look at Kant's Theory of Pleasure

22. Expressiveness as a Property of the Music Itself

23. Paying by the Rules : a Pragmatic Characterization of Musical Performances

24. Feeling My Way : Jazz Improvisation and Its Vicissitudes - a Plea for Imperfection

25. A Restriction for Pictures and Some Consequences for a Theory of Depiction

26. From the World is Beautiful to The Family of Man : The Plight of Photography as a Modern Art

27. Feeling and Aesthetic Judgment : a Rejoinder to Tom Huhn

28. A Lack of feeling in Kant ; Response to Patricia M. Matthews

29. A Rejoinder to Nan Stalnaker

30. Another look at the "Multiple Viewpoint" Theory : a Reply to Richardson

31. Art Essence, History and Beauty : a Reply to Carrier, a Response to Higgins

32. Whatever Happened to Beuaty : a Response to Danto

33. Kant's Sublime ; a Form of pure Aesthetic reflective Judgment

34. Fiction as "Grammatical" Investigation. a Wittgensteinian Account

35. Between rock and a Harp Place

36. Emotions in Music (a Postscript)

37. Speech, Song, and the Transparency of Medium : a Note on Operatic Metaphysics

38. "Reckless Inaccuracies Abounding" : André Malraux and the Birth of a Myth

39. The Limits of the Sublime, the Sublime of Limits ; Hermeneutics as a Critique of the postmodern Sublime

40. When Is a Work of Art Finished?

41. Is a Theory of the Sublime Possible?

42. Discussion : Moodophilia ; A Response to Noëll Carroll and Margaret Moore

43. Discussion : Moodology ; A Response to Laura Sizer

44. Discussion : Moods in the Music and the Man ; A Response to Kivy and Carroll

45. Essay Review : Artful Intension ; Paisley Livingston, Art and Intention ; A Philosophical Study

46. What is a Theatrical Performance?

47. Aboriginal Painting : Identity and Authenticity

48. About Representation; or, How to Avoid Being Caught between Animal Perception and Human Language

49. Disputes about Art

50. "Musical Thinging" and Thinking About Music" in Ethnomusicology ; An Essay of Personal Interpretation

51. How does Debussy's Sea Crash? : How can Jimi's Rocket Red Glare? ; Kivy's Account of Representation in Music

52. Musical and Linguistic Speech Acts

53. Activating Art

54. Actual Intentionalism vs. Hypthetical Intentionalism

55. Moderate Actual Intentionalism Defended

56. Adorno and Musical Analysis

57. On the Conundrum of Form and Material in Adorno's Aesthetic Theory

58. The Type-Token Distinction in Margolis's Aestehtics

59. Rock art aesthetics and cultural Appropriation

60. Reorienting Aesthetics, Reconceiving Cognition

61. Aesthetic Experience and the Revelation of Value

62. Akrasia and Aesthetic Judgment

63. The Quest for Objectivity : Secondary Qualities and Aesthetic Qualities

64. Living in Glass Houses: Domesticity, Interior Decoration, and Environmental Aesthetics

65. Aesthetic Experience in Forests

66. Fact and Fiction in the Aesthetic Appreciation of Nature

67. Imagination and the Aesthetic Appreciation of Nature

68. The Narrative and the Ambient in Environmental Aesthetics

69. Evaluating Nature Aesthetically

70. The Aesthetics of Unscenic Nature

71. Interpretation, Pleasure, and Value in Aesthetic Experience

72. Richard Shusterman on Pleasure and Aesthetic Experience

73. Aesthetics and the Spatial Sense of Self

74. Imagination and the Science-Based Aesthetic Appreciation of Unscenic Nature

75. Brecht's Criticisms of Aristotle's Aesthetics of Tragedy

76. Sensitivity, Sensibility, and Aesthetic Realism

77. Moral Prejudice and Aesthetic Deformity : Rereading Hume's "Of the Standard of Taste"

78. Gracyk, Theodore. Rhythm and Noise: An Aesthetics of Rock : Reviewed by John Fisher

79. Rock Art Aesthetics: Trace on Rock, Mark of Spirit, Window on Land

80. Japanese Aesthetics of Packaging

81. The X-Files and the Aesthetics and Politics of Postmodern Pop

82. Greenberg's Kant and the Fate of Aesthetics in Contemporary Art Theory

83. Art and the Zen Master's Tea Pot : The Role of Aesthetics in the Institutional Theory of Art

84. The Concept of an Aesthetic Property

85. Are There Counterexamples to Aesthetic Theories of Art?

86. Scientific Knowledge and the Aesthetic Appreciation of Nature

87. Art, Morality, and the Holocaust : The Aesthetic Riddle of Benigni's Life is Beautiful

88. Malcolm's Conk and Danto's Colors : or, Four Logical Petitions Concerning Race, Beauty and Aesthetics

89. Improvisation and the Creative Process : Dewey, Collingwood, and the Aesthetics of Spontaneity

90. Toying with the Parse : Aesthetic Materiality in Electronic Writing

91. The Japanese Aesthetics of Imperfection and Insufficiency

92. Aesthetics : The Mother of Ethics?

93. Wim Wenders and the Everyday Aesthetics of Technology and Space

94. The End of Aesthetic Experience

95. Realism, Supervenience, and Irresolvable Aesthetic Disputes

96. "The Effects of Blackness" : Gender, Race and the sublime in Aesthetic Theories of Burke and Kant

97. From Aesthetics to Art Criticism and back

98. The Confluence of Aesthetics and Hermeneutics in Baumgarten, Meier and Kant

99. Nature, Aesthetic Appreciation, and Knowledge

100. General but Defeasible Reasons in Aesthetic Evaluation : The Particularist/Generalist Dispute

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The Journal of Aesthetics and Art Criticism

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