The Journal of Aesthetics and Art Criticism

Bibliographische Detailangaben
Format:	Zeitschrift
Sprache:	German
Veröffentlicht:	Milwaukee : The American Society for Aesthetics at the Univ. of Wisconsin-Madison and Marquette Univ.
Schlagworte:	Zeitschrift
Aufsatz in Zeitschrift/Bände/Inhalte:	384 Datensätze

1. "Reckless Inaccuracies Abounding" : André Malraux and the Birth of a Myth

2. Can Music Convey Semantic Content? : a Kantian Approach

3. A New Look at Kant's Theory of Pleasure

4. Expressiveness as a Property of the Music Itself

5. Paying by the Rules : a Pragmatic Characterization of Musical Performances

6. Feeling My Way : Jazz Improvisation and Its Vicissitudes - a Plea for Imperfection

7. A Restriction for Pictures and Some Consequences for a Theory of Depiction

8. From the World is Beautiful to The Family of Man : The Plight of Photography as a Modern Art

9. Feeling and Aesthetic Judgment : a Rejoinder to Tom Huhn

10. A Lack of feeling in Kant ; Response to Patricia M. Matthews

11. A Rejoinder to Nan Stalnaker

12. Another look at the "Multiple Viewpoint" Theory : a Reply to Richardson

13. Art Essence, History and Beauty : a Reply to Carrier, a Response to Higgins

14. Whatever Happened to Beuaty : a Response to Danto

15. Kant's Sublime ; a Form of pure Aesthetic reflective Judgment

16. Fiction as "Grammatical" Investigation. a Wittgensteinian Account

17. Between rock and a Harp Place

18. Emotions in Music (a Postscript)

19. Speech, Song, and the Transparency of Medium : a Note on Operatic Metaphysics

20. When Is a Work of Art Finished?

21. Is a Theory of the Sublime Possible?

22. Discussion : Moodophilia ; A Response to Noëll Carroll and Margaret Moore

23. Discussion : Moodology ; A Response to Laura Sizer

24. Discussion : Moods in the Music and the Man ; A Response to Kivy and Carroll

25. Essay Review : Artful Intension ; Paisley Livingston, Art and Intention ; A Philosophical Study

26. What is a Theatrical Performance?

27. Jokes are a laughing matter

28. Musical Meaning in a Broader Perspective

29. The Problem of Reference on Musical Quotation : A Thenomenological Approach

30. The Pigeon within Us All : A Reply to Three Critics

31. Comparative Semantic Approaches to the Idea of a Literary Canon

32. A Tribute to Nelson Goodman

33. How to Forge a Musical Work

34. Regarding Film Spectatorship : a Repley to Richard Allen

35. Film Spectatorship : a Reply to Murray Smith

36. Interpretive Relevance, Contradiction, and Compatibility with the Text : a Rejoinder tk Knight

37. Not a Actual Demonstration : a Reply to Iseminger

38. Stecker's Dilemma: A Constructive Response

39. A Paramount Narrative : Exploring Space on the Starship Enterprise

40. The Limits of the Sublime, the Sublime of Limits ; Hermeneutics as a Critique of the postmodern Sublime

41. Sparshott, Francis. A Measured Pace: Toward a Philosophical Understanding of Dance : Reviewed by Curtis L. Carter

42. Thiel, Philip. People, Paths, and Purposes: Notations for a Participatory Envirotecture : Reviewed by Rudolf Arnheim

43. Why We Enjoy Condemning Sentimentality: A Meta-Aesthetic Perspective

44. Musical Recordings and Performances : A Response to Theodore Gracyk

45. Dependent Beauty Revisited : A Reply to Wicks

46. Somaesthetics : A Disciplinary Proposal

47. Aboriginal Painting : Identity and Authenticity

48. Disputes about Art

49. "Musical Thinging" and Thinking About Music" in Ethnomusicology ; An Essay of Personal Interpretation

50. About Representation; or, How to Avoid Being Caught between Animal Perception and Human Language

51. How does Debussy's Sea Crash? : How can Jimi's Rocket Red Glare? ; Kivy's Account of Representation in Music

52. Musical and Linguistic Speech Acts

53. Activating Art

54. Actual Intentionalism vs. Hypthetical Intentionalism

55. Moderate Actual Intentionalism Defended

56. On the Conundrum of Form and Material in Adorno's Aesthetic Theory

57. Adorno and Musical Analysis

58. The Type-Token Distinction in Margolis's Aestehtics

59. Greenberg's Kant and the Fate of Aesthetics in Contemporary Art Theory

60. Sculpture and Touch : Herder's Aesthetics of Sculpture

61. Thick Aesthetic Concepts

62. Enjoying the Unbeautiful ; From Mendelssohn's Theory of "Mixed Sentiments" to Kant's Aesthetic Judgments of Reflection

63. The Rational Justification of Aesthetic Judgments

64. Art and the Zen Master's Tea Pot : The Role of Aesthetics in the Institutional Theory of Art

65. The Concept of an Aesthetic Property

66. Are There Counterexamples to Aesthetic Theories of Art?

67. Scientific Knowledge and the Aesthetic Appreciation of Nature

68. Art, Morality, and the Holocaust : The Aesthetic Riddle of Benigni's Life is Beautiful

69. Malcolm's Conk and Danto's Colors : or, Four Logical Petitions Concerning Race, Beauty and Aesthetics

70. Improvisation and the Creative Process : Dewey, Collingwood, and the Aesthetics of Spontaneity

71. Toying with the Parse : Aesthetic Materiality in Electronic Writing

72. The Japanese Aesthetics of Imperfection and Insufficiency

73. Aesthetics : The Mother of Ethics?

74. Wim Wenders and the Everyday Aesthetics of Technology and Space

75. The End of Aesthetic Experience

76. Realism, Supervenience, and Irresolvable Aesthetic Disputes

77. "The Effects of Blackness" : Gender, Race and the sublime in Aesthetic Theories of Burke and Kant

78. From Aesthetics to Art Criticism and back

79. The Confluence of Aesthetics and Hermeneutics in Baumgarten, Meier and Kant

80. Nature, Aesthetic Appreciation, and Knowledge

81. General but Defeasible Reasons in Aesthetic Evaluation : The Particularist/Generalist Dispute

82. The Sense of Beauty and the Sense of Art : Hutchesons's Place in the History and Practice of Aesthetics

83. Everyday Surface Aesthetic Qualities : "Neat", "Messy", "Clean", "Dirty"

84. The Instrinsic, Non-Supervenient Nature of Aesthetic Properties

85. Rescuing the Institutional Theory of Art ; Implicit Definitions and Folk Aesthetics

86. Objectivity and Expression in Thomas Reid's Aesthetics

87. Autonomist/Formalist Aesthetics, Music Theory, and the Feminist Paradigm of Soft Boundaries

88. Aesthetic Obligations

89. Free Play and True Well-Being : Herder's Critique of Kant's Aesthetics

90. The Aesthetics of Smelly Art

91. Embolied Meanings, Isotypes, and Aesthetical Ideas

92. The Moral Dimension of Japanese Aesthetics

93. Islamic Aesthetics: An Alternative Way to Knowledge

94. Asian "Ars Erotica" and the Question of Sexual Aesthetics

95. An Alchemy of Emotion: "Rasa" and Aesthetic Breakthroughs

96. Aesthetic and Spiritual Correlations in Javanese Gamelan Music

97. Balinese Aesthetics

98. The Sounding of the World: Aesthetic Reflections on Traditional Gong Music of Vietnam

99. Rock art aesthetics and cultural Appropriation

100. Imagination and the Science-Based Aesthetic Appreciation of Unscenic Nature

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The Journal of Aesthetics and Art Criticism

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