| Beschreibung: | Includes bibliographical references (pages 437-446) and index
A dialogue with Linda Nochlin, the Maverick She - 1970s - Why have there been no great women artists? - Miriam Schapiro: recent work - Some women realists - Women artists after the French Revolution - 1980s - Florine Stettheimer: rococo subversive - Nancy Graves: the subversiveness of sculpture - Morisot's West nurse: the construction of work and leisure in impressionist painting - Zuka's French Revolution: a woman's place is public space - 1990s - Pornography as a decorative art: Joyce Kozloff's patterns of desire - Starting from scratch: the beginnings of feminist art history - Mary Cassatt's modernity - Sylvia Sleigh: portraits of women artists and writers - Deborah Kass: portrait of the artist as an appropriator - 2000s - Jenny Saville: floating in gender nirvana - Mary Frank: encounters - Seeing beneath the surface (Kathleen Gilje) - A rage to paint: Joan Mitchell and the issue of femininity - Sam Taylor-Wood: when the stars weep - Alice Neel - Unholy postures: Kiki Smith and the body - Sarah Lucas: God is Dad - "Why have there been no great women artists?" thirty years after - Women artists then and now: painting, sculpture, and the image of the self - Cecily Brown: the erotics of touch - Existence and beading: the work of Liza Lou - Black, white, and uncanny: Miwa Yanagi's Fairy tale - Old-age style: late Louise Bourgeois - 2010s - Sophie Calle: word, image and the end of ekphrasis - Ellen Altfest: a new, new realism - Natalie Frank: the dark side of the fairy tale |
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