San Paulo : Biennial 2006

QR code

San Paulo : Biennial 2006

Bibliografische gegevens
Gepubliceerd in:	frieze 96(2006)S. 130-131
Hoofdauteurs:	Trainor, James (Auteur), Lagnado, Lisette (Auteur)
Formaat:	Artikel
Taal:	German
Gepubliceerd in:	2006
Onderwerpen:	Aufsatz
Gerelateerde Items:	In: frieze

Gelijkaardige items

27th Sao Paulo Biennial : "How to live together", was a compelling challenge to biennial models based on national representation
door: Trainor, James
Gepubliceerd in: (2007)

Sao Paulo : With more than 20 million inhabitants, Sao Paulo has recently become one of the world's first 'hypercities'. In a constant state of transformation, the city has fostered an attitude of improvisation, resourcefulness and cultural cannibalism amongst its artists
door: Trainor, James, et al.
Gepubliceerd in: (2007)

Turning So Many Corners : Negotiation and communication are as key to Renata Lucas's architectural interventions as the Brazilian Neo-Concretist tradition she works
door: Lagnado, Lisette
Gepubliceerd in: (2007)

San Keller : Careers, critics, money and music
door: Zolghadr, Tirdad
Gepubliceerd in: (2007)

This land is your land : spiral Jetty is overrun with day-trippers, and you can sign up for a 'Tour of the Monuments of the Great American Void'. So much for geology entropy
door: Trainor, James
Gepubliceerd in: (2005)

State of the art
door: Trainor, James
Gepubliceerd in: (2005)

Phoebe Washburn : rubbish isn't always a dead-end - sometimes it's a beginning
door: Trainor, James
Gepubliceerd in: (2005)

Rates of exchange : James Trainor on Mark Grotjahn
door: Trainor, James
Gepubliceerd in: (2003)

A place in the sun : James Trainor revisits Nancy Holt's monumental Earthwork
door: Trainor, James
Gepubliceerd in: (2003)

Don't fence me in : Andrea Zittel's projects include the best way to cook eggs, design clothes or build a ranch; an approach to art that evolves from the demands of everyday living
door: Trainor, James
Gepubliceerd in: (2005)

Poisoned arrow
door: Trainor, James
Gepubliceerd in: (2002)

Ain't no such thing as superman : James Trainor on William Pope.L
door: Trainor, James
Gepubliceerd in: (2004)

Road to ruin : Mark Handforth by James Trainor : the real, the social and the surreal merge in sculptures that reference or employ what Ed Ruscha once described as the 'unreported artefacts' of the urban landscape
door: Trainor, James
Gepubliceerd in: (2004)

4th Berlin Biennial 2006 : Jörg Heiser talks with Maurizio Cattelan, Massimiliano Gioni and Ali Subotnick, the team curating the 4th Berlin Biennial, which will open in March 2006.
door: Heiser, Jörg, et al.
Gepubliceerd in: (2006)

On 'How to Live Together', 2006
door: Lagnado, Lisette
Gepubliceerd in: (2014)

1st Singapore Biennial : 6th Shanghai Biennial : 6th Gwangju Biennial : three biennials in Singapore, China and Korea, themed around "Belief", "Hyper-Design" and "Fever variations"
door: Lange, Christy
Gepubliceerd in: (2007)

Venice Biennale : An Artist's Biennial
door: Oguibe, Olu
Gepubliceerd in: (2007)

Manifesta : Stuart Morgan on the new European Biennial
door: Morgan, Stuart
Gepubliceerd in: (1996)

Manifesta 5 : European Biennial of Contemporary Art
door: Fox, Dan
Gepubliceerd in: (2004)

Nowhere To Run : Adrian Searle on the 1997 Whitney Biennial
door: Searle, Adrian
Gepubliceerd in: (1997)

Fith international Site Santa Fe Biennial : Santa Fe, USA
door: Eleey, Peter
Gepubliceerd in: (2004)

Venice Biennale : Politics, war, and representation at the world's oldest biennial ; The Edge of the World
door: Farquharson, Alex
Gepubliceerd in: (2007)

Debate: Biennials : the proliferation of biennials has become integral to the global explosion of contemporary art. Are large-scale international shows sites for experiment and exchange, of little more than tourist attractions? Francesco Bonami and Charles Esche discuss
door: Bonami, Francesco, et al.
Gepubliceerd in: (2005)

Manifesta 6 : 2006 ; Nicosia, the capital of Cyprus, has been chosen to host Manifesta 6 in September, 2006.
door: Fox, Dan, et al.
Gepubliceerd in: (2006)

Hipgnoric Suggestion : James Roberts on the album covers of Hipgnosis
door: Robert, James
Gepubliceerd in: (1997)

The Sound Of Music : James Roberts on Mike Paradinas, Richard D. James and Luke Vibert
door: Roberts, James
Gepubliceerd in: (1997)

The Name Of The Rose
door: Roberts, James
Gepubliceerd in: (1997)

Be There Or Be Square : James Roberts on Peter Davies
door: Roberts, James
Gepubliceerd in: (1998)

Making a drama out of a crisis : James Roberts on the photography of Sam Taylor-Wood
door: Roberts, James
Gepubliceerd in: (1999)

In search of lost time : James Surowiecki on Jayne Anne Phillips' 'Black Tickets'
door: Surowiecki, James
Gepubliceerd in: (2001)

Look and Learn : James Roberts on Martin Honert
door: Roberts, James
Gepubliceerd in: (1996)

The Macabre Museum : James Meyer on Mark Dion
door: Meyer, James
Gepubliceerd in: (1997)

Magic mushrooms : James Roberts on Takashi Murakami
door: Roberts, James
Gepubliceerd in: (2002)

Altered States : James Roberts on Verner Panton
door: Roberts, James
Gepubliceerd in: (1999)

Remain in light
door: Roberts, James
Gepubliceerd in: (1998)

String theory : James Roberts on Vidya Gastaldon and Jean-Michel Wicker
door: Roberts, James
Gepubliceerd in: (2001)

Infotainment scan : with the opening of the 3rd Berlin Biennial, Jan Verwoert wonders what can go wrong with art as cultural criticism
door: Verwoert, Jan
Gepubliceerd in: (2004)

Debate : deaccessioning : Do museums that sell from their collections benefit long-term scholarship, or squander cultural assets for short-term gain?
door: Rondeau, James, et al.
Gepubliceerd in: (2004)

Ghost in the machine : James Roberts talks to Jeff Noon
door: Roberts, James, et al.
Gepubliceerd in: (1999)

2nd Seville Biennial : curated by Okwui Enwezor, "The unhomely: phantom scenes in a global society" seemed to ask: what kind of a mess are we in; why; and how do we get out of it?
door: Herbert, Martin
Gepubliceerd in: (2007)