Werenskiold, M. (1989). Kandinsky's Moscow: Though Kandinsky spent most of his career in German, it was his ecstatic childhood memories of Moscow, bolstered by the millenarian notion of that city as the "Third Rome," that most powerfully impelled his art toward its "spiritual" - abstract - aspirations. Art in America.
Παραπομπή σε μορφή Chicago (17η εκδ.)Werenskiold, Marit. "Kandinsky's Moscow: Though Kandinsky Spent Most of His Career in German, It Was His Ecstatic Childhood Memories of Moscow, Bolstered by the Millenarian Notion of That City as the "Third Rome," That Most Powerfully Impelled His Art Toward Its "Spiritual" - Abstract - Aspirations." Art in America 1989.
Παραπομπή σε μορφή MLA (8th εκδ.)Werenskiold, Marit. "Kandinsky's Moscow: Though Kandinsky Spent Most of His Career in German, It Was His Ecstatic Childhood Memories of Moscow, Bolstered by the Millenarian Notion of That City as the "Third Rome," That Most Powerfully Impelled His Art Toward Its "Spiritual" - Abstract - Aspirations." Art in America, 1989.