Delegated Performance: Outsourcing Authenticity, 2012

QR Code

Delegated Performance: Outsourcing Authenticity, 2012

Détails bibliographiques
Publié dans:	Work (2017)S. Seite 99-103
Auteur principal:	Bishop, Claire (Auteur)
Format:	Article
Langue:	English
Publié:	2017
Sujets:	Aufsatz
Documents similaires:	In: Work

Documents similaires

Delegated Performance : Outsourcing Authenticity
par: Bishop, Claire
Publié: (2012)

Outsourcing : Zur Architektur globaler Ungleichheit und ihrem Nutzen
par: Oswalt, Philipp
Publié: (2012)

Lethal Outsourcing : the Grenfell Tower Disaster and the Political Economy of Construciton
par: Hatherley, Owen
Publié: (2021)

Delegation und politischer Fetischismus
par: Bourdieu, Pierre
Publié: (1985)

Proletarian Nights, 2012
par: Rancière, Jacques
Publié: (2017)

Closed Circuit, 2012
par: Rushton, Steve, et autres
Publié: (2016)

It's her Factory, 2012
par: Eshun, Kodwo
Publié: (2017)

Delegation und Familie : Beiträge zum Heidelberger familiendynamischen Konzept
par: Stierlin, Helm
Publié: (1978)

There's no Place Like Home, 2012
par: Fraser, Andrea
Publié: (2023)

Practising Trio A, 2012
par: Bryan-Wilson, Julia
Publié: (2018)

AA Bronson in Conversation, 2012
par: Simon, Vincent, et autres
Publié: (2018)

Authenticity and Failure : Luc Tuymans, 2004
par: Dexter, Emma
Publié: (2010)

Art and Authenticity : Susan Allison
Publié: (2004)

Bodies in Alliance and the Politics of the Street, 2012
par: Butler, Judith
Publié: (2023)

Best Of 2012 : Anne Teresa De Keersmaeker's Fase
par: Bishop, Claire
Publié: (2012)

Museum of Proletarian Culture. the Industrialization of Bohemia, 2012
par: Chekhonadskih, Maria
Publié: (2017)

Performing public art
Publié: (2015)

Eventwork: The Fourfold Matrix of Contemporary Social Movements, 2012
par: Holmes, Brian
Publié: (2023)

Moulène, Rancière and 24 Objets de Grève, 2012
par: Magagnoli, Paolo
Publié: (2017)

sommer.frische.kunst 2012 : Christin Kaiser, Corinne von Lebusa, Florian Neufeldt, Markus Proschek, Michael Schmeichel, Janis Avotins, Victor Ash, Till Nowak
Publié: (2012)

An Eye to Authenticity : Francine Du Plessix Gray on Irving Penn (1917-2009)
par: Gray, Francine Du Plessix
Publié: (2010)

Rebel Cities: From the Right to the City to the Urban Revolution, 2012
par: Harvey, David
Publié: (2023)

Figuration and Failure, Pedagogy and Performance : Reflections Three Years Later, 2011
par: Shvarts, Aliza
Publié: (2018)

The Year in Performance
par: Bishop, Claire
Publié: (2014)

Liberate Tate : Disobedience as Performance, 2012
Publié: (2023)

Dirty Commerce: art Work and Sex Work since the 1970s, 2012
par: Bryan-Wilson, Julia
Publié: (2017)

Deligierte Performance : Ausgelagerte Authentizität
par: Bishop, Claire
Publié: (2011)

Performative Intervention als Zeitgenossenschafts-Generator? : die "House-Projects" von Wolfgang Weileder
par: Ellßel, Frauke
Publié: (2008)

Die normale Katastrophe: Risiko-Outsourcing im Lieferketten-Kapitalismus
par: Tsing, Anna
Publié: (2017)

TALOS/Talos what sort of Future do we want to see performed?
par: Rutgeerts, Jonas, et autres
Publié: (2020)

Race, Ethnicity, Expressive Authenticity : Can White People Sing the Blues?
par: Rudinow, Joel
Publié: (1994)

Human Strike has already begun, 2009
par: Fontaine, Claire
Publié: (2017)

The Future of the Past : what comes after World Art History?
par: Farago, Claire
Publié: (2021)

"Fragilität ist die einzige Sache, die ich wirklich über mich weiß"
par: Denis, Claire
Publié: (2015)

Subverting and Conserving the Authentic and the Original in Contemporary Art
par: Matyssek, Angela
Publié: (2013)

"Primitive Fakes, "Tourist Art", and the Ideology of Authenticity
par: Shiner, Larry
Publié: (1994)

Performance : Art of Authenticity ; Catherine Wood On "Our Literal Speed"
par: Wood, Catherine
Publié: (2008)

Haben und Brauchen : to have and to need Manifesto, 2012
Publié: (2017)

An Analysis of the Present Status of Research into the Authenticity of the Shroud of Turin
par: Caldararo, Niccolo, et autres
Publié: (1989)

Las Vegas and Beyond: Authentic Reproductions or Urban Caricatures
par: Huber, Maya
Publié: (2000)